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The VIP Viewing Room – James Shaw

This month’s selection of original prints in the online VIP viewing room series is curated by industry professional James Shaw of Lemons Ceramics. Pour yourself a glass of wine and sit back and relax as we take you through his 12 carefully selected works from the PJP archive drawers. James Shaw is a ceramicist and Continue reading


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THE VIP VIEWING ROOM – MAY – Curated by Kate Ellis

Each month PJP is offering access to our online VIP Viewing Room. The selection of original prints offered will be curated by an industry professional with all works available for purchase online or in the gallery. Pour yourself a glass of wine and sit back and relax, as we take you through 12 carefully selected Continue reading


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Behind the Scenes: KIRPY’s Archetypes

Melbourne is in constant evolution, with the gentrification of iconic suburbs spreading further and deeper in response to market demand. Kirpy’s latest exhibition, Archetype, critiques this process, asking ‘what is at stake’ and ‘what is left behind’. Empty buildings, whose tenants were pushed out by property prices, their windows pasted up with layers of old decaying Continue reading


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THE VIP VIEWING ROOM – APRIL – Curated by Jessica Velasquez

Each month PJP is offering access to our online VIP Viewing Room. The selection of original prints offered will be curated by an industry professional with all works available for purchase online or in the gallery. Pour yourself a glass of wine and sit back and relax, as we take you through 12 carefully selected Continue reading


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Considering Nostalgia: reflections on new work by Sophia Szilagyi.

Considering Nostalgia: Marguerite Brown reflects upon Sophia Szilagyi’s latest body of work. For many years Sophia Szilagyi’s work has traversed land, sky and seascapes, inventing a universe that appears plausible yet is largely make-believe. Through digital printmaking she skillfully merges numerous images to create a distinctive sense of otherworldliness in her work that is entirely Continue reading


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The Curated Edit: The Figurative Edit

This edit celebrates figurative prints in their myriad forms. Like the individuals they depict, figurative works are interpreted by their artists in unique forms and techniques. Yet regardless of their diverse styles, all figurative works are common in the life that they bring to blank walls – their subjects becoming, as well as gesturing towards, Continue reading


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Wrapping Up ‘Proof: The Best of Contemporary Printmaking

We’re in the final days of Proof for 2016 and once again this inaugural group exhibition has been a great success. Both in terms of quality of works on the walls and in its reception by the public, the exhibition has been the blockbuster we’d anticipated. It’s such a pleasure to see all of our Continue reading


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Sai Wai Foo: Intricate Folds of the Sea

Walk along Smith St night or day until Christmas and you’ll see Out to Sea by Sai-Wai Foo. Exhibiting in our front window, this is an exquisite example of contemporary printmaking. Taking printmaking beyond the flat plane, Foo’s delicate sculptures intermingle found objects, intricate folds and printmaking. Her sculptural works embody the tactile nature of Continue reading


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The Curated Edit: The Life Edit

Emerging from a long winter, we find ourselves drawn to prints which capture the spirit of these warmer months. This curated edit assembles prints, which in their palette and gestural marks embody the rejuvenating energy that summer brings. This edit is a celebration of vitality and movement, and its prints are a sure way to breathe Continue reading


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Gracia & Louise: Little Gems For The Choosing

Take a walk down Smith St and you’ll stumble across our delightful and curious window installation Here, there by Gracia & Louise. A gorgeous collection of antique sepia photographic portraits, collaged with brightly coloured prints of birds and animals. Hint: Be sure to enter the gallery to enjoy the reverse side of these works too! Continue reading